Author: admin

  • Forgiveness – “The Word By Which We Live”.

    Merciful-Knight-Burne-Jones-L

    Yesterday I was preaching on the most difficult petition in the Lord's Prayer.

    "Forgive us our sins as we forgive those who sin against us…"

    The gist of whatever wisdom I have on this hard saying of Jesus:

    We either learn to forgive, or all the other worthwhile things we do in life lose their point.

    Forgiveness feels like an option , but in reality it is a necessity if life is to flourish and grow.

    Think of the friendships that would be impossible if every wrong word was held against us.

    How could any family survive a grievance count?.

    The story of the prodigal son is also the story of the prodigal father.

    The son wasted the money, the father wasted his time waiting.

    The son swallowed his pride and ran home, and said stuff what the neighbours think.

    The father swallowed his pride, ran to embrace him and said stuff what the neighbours think

    The son wasted his life chances, his father wasted the chance to tell him to get on his bike.

    Forgiveness is about not taking advantage of our rights, not cashing in our entitlement to be angry.

    Forgiveness means not holding someone's mistakes against them ikn perpetuity.

    Forgiveness is the lifting of another's burden, bearing their cost to our own hurt.

    Forgiveness is the gift of love, the self emptying of our resentment.

    It is the overflow of divine love poured into our hearts by the Holy Spirit

    But forgiveness is never easy, always costs, is born and borne out of pain.

    To err is human – we know the rest, and so we pray:

    Forgive us our sins, as we forgive those who sin against us…..

    …………………………………..

    The painting by Burne Jones is a powerful reversal of medieval piety, and the belief that love held Jesus on the cross – the Knight who lives by honour and sword, has taken off his helmet, laid his sword aside, and is embraced by the crucified Christ who for love's sake has broken free from the cross, and hands that refused to hold a sword reach out in forgiveness.

    There's a funny serious cartoon here which makes its own point.

  • Another Account of Sin in the Garden

    Now sin is sin, crime is crime and wrong is wrong, and theft is theft.

    But there are degrees of theft, from the shoplifted Fairy Liquid to the steal to order car to the airport security heist – they've all been in the news.

    There is serious theft, then there's the nuisance theft, and then there's the daft theft.

    Which brings me to this

    Gnomes

    which you can read more about on the link below.

    http://www.bbc.co.uk/news/uk-scotland-north-east-orkney-shetland-26882776

    Now I understand about the Gnomes of Zurich, but the Gnomes of Banff?

    Seem funny? Well, actually no. I have a friend who lives alone who had a pot with winter flowering plants lifted from her door recently. She was upset for two reasons – it was a gift from a thoughtful friend as a reminder in winter of friendship and Spring. And she was seriously spooked that someone of ill intent had been so near her house door.

    So I'm glad they caught the thieves, and hope some Magistrate somewhere takes into consideration the feelings of threat and even fear that is caused when someone tip-toes near your home to steal. It doesn't actually matter what was stolen – but that such close-up theft violates your space, your privacy and your safety.

    Today I'm preaching on forgiveness and I'm wondering how I'd be feeling if I recognised one of nthose garden gnomes as mine. The question is hypothetical for two reasons – I can think of fewer fatuous objects than a technicolour Oor Wullie sticking his spiky head above the tulips; and it wasn't me that was scared. 

    As part of a victim awareness programme it would be interesting for the gnome thiefs to be required to meet gnome owners, to hear what it feels like to have someone invade their space, privacy and safety. The impact of the crime is so much deeper than the cost of a gnome or two. And all the humourous thoughts of re-setting gnomes, checking out car boot sales for missing gnomes, police interceptors in pursuit of a van full of gnomes – the stuff of comedy, except for the fear and uncertainty the thieves leave behind.

    n stealing .

     

  • The Wild Goose and Wild Geese

    Living in the North East of Scotland, and two miles from Loch Skene, migrating geese are a familiar sight, and sound. I've mentioned those far travelled chevrons before on this blog, but they are such a reminder of life's adventure that it's hard to resist another mention, and another excuse to post Mary Oliver's poem. I have so many reasons for returning to this poem, like a migrating heart finding again a voice that tells the truth of things, teaching us to care for ourselves, reminding of the call that takes us beyond safe horizons.

    Alongside Oliver's poem there is the beautiful symbol of the wild goose in the Celtic tradition, the symbol of the Holy Spirit, wild, free, ubiquitous, on the move, gregarious, the surprising ad hoc-ness of the presence of God.

    The photo isn't mine and I haven't been able to trace it to acknowledge it – but it is a beauty, and thank you to whoever took it!

    You do not have to be good.
    You do not have to walk on your knees
    For a hundred miles through the desert, repenting.
    You only have to let the soft animal of your body
    love what it loves.
    Tell me about your despair, yours, and I will tell you mine.
    Meanwhile the world goes on.
    Meanwhile the sun and the clear pebbles of the rain
    are moving across the landscapes,
    over the prairies and the deep trees,
    the mountains and the rivers.
    Meanwhile the wild geese, high in the clean blue air,
    are heading home again.
    Whoever you are, no matter how lonely,
    the world offers itself to your imagination,
    calls to you like the wild geese, harsh and exciting —
    over and over announcing your place
    in the family of things.

     

  • Prayer, Breathing and Sea Therapy

    DSC01079

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    "The tide waxes. Inhale. Breathe in the love God.
    The tide wanes. Exhale. Release the hurt. 
    Wax. Breathe in the Presence.
    Wane. Breathe out the regret.
    Crash. Inhale his tenderness.
    Flee. Exhale the heartbreak and grief.
    Approach. Take in the fresh air of grace and new creation.
    Depart. Surrender the black cloud of sin and guilt." 

    Source: http://rachelheldevans.com/blog/?offset=1395865632573

  • The Wisdom of Bonhoeffer

     

    “If you board the wrong train, it is no use running along the corridor in the other direction.”

    “We are not to simply bandage the wounds of victims beneath the wheels of injustice, we are to drive a spoke into the wheel itself.”

    “We must be ready to allow ourselves to be interrupted by God.”

     

  • The Christology Tapestry. (15cm x 20cm)

    DSC01856 (1)

    All things have been created through Him and for Him…In Him all the fullness of God was pleased to dwell…through Him God was pleased to reconcile all things to Himself…making peace by the blood of His cross. (Col 1.15-20)

     

    This came back from the framers on Saturday. The photo shows some of the flash from the camera but otherwise the image gives a good idea of the finished work.

    Over Holy Week I'll say a little of how this tapestry evolved; not an explanation of what it 'means', but perhaps some personal reflections on the passage that inspired it, and how exegeting text and working tapestry can be a symbiotic process of lectio divina. I started with an empty canvas and no pre-planning other than daily reading of the text before picking up the needle again. Once I started I visited the thread shop regularly to browse and choose, with the passage in my head – I now know it by heart. Over several months, this was the result. 

    Do I understand the Colossian hymn better? Or do I sense its mystery with more humility? Does the text control the thread, or the thread interpret the text? I started the project asking the question, 'What colour is Christology?'. I finished it in one sense none the wiser, but in a deeper sense coming to see that Christology may best be represented by all colours woven together in the harmonies and tones of reconciling love.

    In which case the patterns and shapes, colours and tones of Christology have infinite subtleties, unthinkable contrasts, creative clashes, juxtapositions of image and colour that expand our widest fields of aesthetics, but which in the end become a visual representation of the One for whom all things were made, and in whom all things hold together. More later. 

  • Scotland in Stitches, Bonhoeffer for Today, and a Glorious Toe Poke.

    61qHb3XhWYL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_SX385_SY500_CR,0,0,385,500_SH20_OU02_Yesterday was a day of three halves. In the morning we went ot see the Great Scottish Tapestry for the second time. The first time the Aberdeen Art Gallery was like a cultural sardine tin, with bus loads of stitchers from far and wide, so after trying for ten minutes to see some of the blessed panels, we retreated to Books and Beans (the coffee place in Aberdeen if you want something different, rustic and friendly, surrounded by used books for sale).

    Yesterday it was quiet so we were able to move round this amazing exhibition with freedom, time to inspect, admire and enjoy the needlework of women from all over Scotland. Each panel has the names of those who stitched it on the explanation card below – I saw no men's names. Hmmm. Anyway there are over 150 panels each around a square metre, so we looked at the first 70 which took over an hour, and by then we had seen enough for one visit. We'll go back and complete it next week. From prehistoric Scotland to the independence debate, from the first settled migrants to modern immigration movements, from battles to treaties, churches to Toon Cooncils, from agriculture to industry to Enlightenment to heavy industry decline, characters like John Knox and James Watt, local cultures from Gaelic to Doric, lochs and mountains, thistles and heather, castles and tenements – it;s all there, and all of it imaged in cotton, wool and silk. By any standards it is an exhibition that comes from thousands of hours of work, careful organisation, long learned skills and in its complexity and completeness, a superb pictorial history of Scotland.

    Late afternoon I went to the inaugural lecture of the Centre for Bonhoeffer Studies at Aberdeen University. Dr Jennifer McBride delivered a superb lecture on 'Who is Bonhoeffer for Today', in which she argued strongly against those who find in Bonhoeffer whatever they go looking for with no regard for the overall context within which Bonhoeffer lived, and spoke and wrote. For example 'religionless Christianity', ripped from context and made into a vehicle for radical, at times radically negative theology, is a phrase that can only be understood within the overall Christological context and cruciform shape of Bonhoeffer's theology.

    41OgYKvMHdL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_SX385_SY500_CR,0,0,385,500_SH20_OU02_Mcbride's major work on Bonhoeffer examines Bonhoeffer's insistence that Christian dicipleship and the church as the Body of Christ are authentic insofar as they engage with the world, and do so as expressions of the Lordship of the incarnate and crucified Jesus. One of the genuinely creative points she made was to warn the church against a moral triumphalism by which Christian communities see themselves as the moral and ethical judges of society. The church rather, is the Body of the Christ who took upon himself the sins of the world, and was 'numbered with the transgressors'. Far from being the judge and moral watchdog of society, the church is to be a community of repentance, acknowledging its solidarity with human social and public life in all its ethical co0mplexity and compromise, confessing its implication in the structures of sin, and witnessing to an alternative way of being which expresses repentance as turning away from the practices of domination to the practices of redemptive action, and these based on a discipleship of the crucified, risen Lord, whose life they embody. That at any rate was what I took away, and it provides much to ponder. (Jennifer McBride's book is just released as paperback at £15 – the hardback was £50 – this is a substantial reclaiming of Bonhoeffer for a theology both culturally critical and christologically confessional. I've already got mine ordered).

    As I said, it was a day of three halves. The third one was the five-a-side football, my regular Friday night chance to shine with a slowly diminishing brilliance! I scored a long range spectacular toe-poke, after which it would not be true to say the boy done good, my conribution better described in the famous Alan Hansen phrase, 'ordinary and lacklustre'. But it was fun – and overall a day of three good halves.

  • Beauty is a Beautiful Idea: Theological Aesthetics and the Beauty of Holiness

    DSC01519Beauty is a beautiful idea. For a while now I've been fascinated by the possibilities of beauty not only as a theological idea, or the focus and possibility of a theology of beauty, but as one of the dimensions of human experience which has congruence with how and why we do theology at all. The statement "God is beautiful" sounds either naively pretentious, eye-rollingly banal, or hopelessly vague, when used of the God whose light is a dazzling darkness, whose love shatters all human preconceptions and whose holiness is robed in infinite mercy so that those who come near to worship survive exposure to that Being which calls all other beings into existence, and sustains them by a grace unspeakable and full of glory.

    The last few decades the discipline of theological aesthetics has been growing as an increasingly fruitful theological style. The towering work of Von Balthasar's The Glory of the Lord is not so much a benchmark as a landmark. It will always be in the landscape background of the discipline, but that landscape is changing and new features are becoming familiar and established.

    My own interest in theological aesthetics arises from asking myself what goes on inwardly in the process of artistic activity. Writing Haiku, working away at a poem or doing tapestry are some of the activities I get up to that aim at aesthetic satisfaction in the results. In particular stitching colour and texture into shapes and ideas that bear the weight of significance, has produced images that are themselves objects of beauty. What is it in that which is beautiful which creates a current of awareness so powerful that it demands attention, compels stillness, and draws from us the sigh of surrender to the moment?

    DSC01186 (1)Allegri's Miserere, Van Gogh's Sunflowers, Hopkins' Pied Beauty, Sand Stoddart's statue of Coila, (above) a perfect rosebud and even a well composed photograph of the same flower, a kestrel hovering, the face of a friend, a cat demanding attention!, those rare near perfect moments of aloneness looking at sea, sunset, garden or, often for me, sunlight through trees: all offer moments of beauty. Which is an odd way of putting it – is a moment of beauty a description of the time, or of the impact of the object of attention during that time. I suspect the question is one of those failures of imagination when analytic questions are a category mistake. 

    Theological aesthetics takes experiences like that and asks the God kind of questions. Creativity, is that the creature demonstrating she is indeed made in the image of the Creator? Why does beauty seem congruent with God, and not ugliness? Or is it possible that there is also a beauty in ugliness,that the category ugliness requires careful scrutiny to subvert the certainties of our own blinkers? What is lost in human spirituality when people are deprived of beauty and the time to sunbathe in the light of the beautiful that boosts health of soul and body? Can aesthetic experience help us to apprehend something of the nature of God that language cannot reach, or express, or even comprehend?

    Emerson wrote 'Beauty is God's handwriting, a wayside sacrament', the kind of vague feel good definition that still has enough truth to make it worth quoting. Perhaps God's handwriting is in a language, and script so unfamiliar to us we require to relearn the alphabet, take patience to decipher, and be humble enough to know that our grammar and vocabulary will never extend to an acquired fluency in translation. Beauty is often most intensely felt in glimpses, brief intimations, those moments of encounter when we recognise that our capacity to receive and take in and appreciate, will always be so limited by our finitude that we, if we are both wise and humble enough will settle for the mystery, joy and longing, the promise of unfulfillment, that are essential elements of beauty.

    David Bentley Hart's book, The Beauty of the Infinite is a difficult book, and a brilliant one, the one because the other. But his affirmation of beauty as a key category for an adequate Christian theology, in this book and his recent tour de force against new atheism, The Being of God. Being, Consciousness, Bliss gives reassurance to those crucial aspects of human knowing which affirm mystery, intellectual finitude, and the importance of aesthetic judgement when our eyes look towards the invisible, and discern in what is seen, and what is not yet visible however hard we stare, the beauty of holiness.

    Now and again I nuse this blog to think out loud – or at least think through a keyboard. Apologies if this all seems a bit 'Well, yes Jim, but so what……?'

     

  • Can Compassion be Taught? Is it a Skill or an Emotion?

    DSC01449 (1)

    As a hen gathers her chicks…….

    Took this photo end of June last year at Loch Rannoch. This red legged partridge had sixteen (16!) chicks in tow. About six of them are in this photo, camouflaged.

    One of them tumbled off the path and I went to lift it back with the rest, it squeaked in protest and mother partridge legged it straight towards me headlights flashing as I became a victim of partridge road rage.

    Good memories from that holiday – including photos at the top of Scheihallion, the oldest yew tree in Europe, sunset over the Loch, and this family of feathered hill walkers.

    I've been writing a long paper on affective learning outcomes, and part of the research included reading up on the recent concern about the supposed lack of compassion in the nursing profession, reviewing the various responses, and thinking through the question 'Can compassion be taught?' Even if it can, is it possible to demonstrate development in compassion, if so what is the evidence and how do you assess an inner disposition? Through actions characterised by compassion? But shouldn't these actions be motivated by and carried out in an attitude that is spontaneous, authentic and an expression of the inner nature of the person? If it's a learned response, doesn't compassion need a prior foothold in a persons nature and personality that is emotionally consistent and authentic? Aren't some of the most admirable human qualities innate, instinctive, unself-conscious, rather than learned skills? 

    One NHS Trust is developing an assessment tool for compassion, with specific criteria and measurable levels of evidenc. This is a complex issue which goes to the heart of what it means to use words like profession, vocation, career and calling. I for one have no doubt that compassion can be taught, or at least compassionate responsivess can be illustrated and commended, attitudes of indifference can be challenged by displaying their consequences, and a bystander mentality can be transformed into one of risk, engagement and kindness. Otherwise why would Jesus have said, 'Go and do likewise', to that unfortunate lawyer who asked the wrong question at the right time.

     

     

  • A Typo, A Needed Corrective, and a Sabbath Poem

    Wrote an email to a friend this morning.

    Said I was going to a church down the coast to edify the saints.

    The predictive text didn't recognise edify and offered an alternative.

    This meant I had the slightly more difficult task of going to deify the saints!

    On days when my perfectionist tendencies play up, Thomas Merton brings me down the necessary peg or two:

    "It is true that we make many mistakes. But the biggest of them all is to be surprised at them: as if we had some hope of never making any…above all we must learn our own weakness in order to awaken to a new order of action and being – and experience God himself accomplishing in us the things we find impossible.

    And since it's Sunday, and I've been reading Wendell Berry's Sabbath poems, here's one which I think is a beautiful meditiation on those nameless longings that remind us we are made for heaven, and for God, and for life in all its fullness.

    From Leavings, XII

    Learn by little the desire for all things

    which perhaps is not desire at all

    but undying love which perhaps

    is not love at all but gratitude

    for the being of all things which 

    perhaps is not gratitude at all

    but the maker’s joy in what is made, 

    the joy in which we come to rest.”

    This Day. Collected and New Sabbath Poems, Wendell Berry (Berkley: Counterpoint Press, 2013) 312