Author: admin

  • Leadership and Walking on Grass

    DSC00183Designer Christopher Williams tells a story about an architect who built a cluster of large office buildings that were set on a central green. When construction was completed, the landscape crew asked him where he wanted the pathways between the buildings.

    "Not yet," the architect said. "Just plant the grass solidly between the buildings."

    This was done, and by late summer pedestrians had worn paths across the lawn, connecting building to building. The paths turned in easy curves rather than right angles, and were sized according to traffic.

    In the fall, the architect simply paved the pathways. Not only did the new pathways have a design beauty, they responded directly to user needs.

    I like this story. I wonder if leadership is more about letting people find their way of being, and then affirming it? I wonder too if leadership is more about waiting for people to find their direction an d destination, rather than telling them what it is, or ought to be?

    Scolty hill (photo) has its own network of paths worn into the patterns of countless feet.

  • Nativity Panto Football Supporters on a Saturday Afternoon

    I went to the pub today with my son Andrew to watch the Manchester City v Arsenal game. As we were watching it a Christmas tree walked in. It was soon joined by a silver sequined star, a middle eastern backpacker in scarlet and yellow silk and a few shepherds. Seems the nativity and the panto came together in a performance later today, but the guys decided to come to the pub and watch the football first.

    It was a hilarious sideshow watching a nativity play and panto combining with the roles of football supporters and pub regulars enjoying a beer. Just now and then, all the pre-packaged laughter, the incessant battering of our retail instincts, the repetitive strain syndrome of millions of index fingers punching PINs, the overdone music, ubiquitous decorations and overloading of food expectations is exposed as sadly unreal, and the real thing emerges. Folk enjoying themselves, engaged with Christmas but able at least for a while to stand outside the addictive magnetic pull for just long enough to have a drink, watch a match, and do so with no sense of incongruity that they are really, or is it virtually, a christmas tree, star, shepherd, wise man or whatever.

    I suppose if I wanted to turn this into a wee homily I could say that even then, in the reassuring incongruity of that pub, in the company of those nativity panto actors, and while watching a game that finished 6-3, there was still no sign of that baby in whom infinity was dwindled to infancy. Maybe in the laughter, the good natured engagement with the story to the extent of dressing up and telling the story, for me, that will do for now. I'm glad they came.

    Burne-Jones nativity is a favourite ever since I got a Christmas card years ago using this picture. 

  • Advent and the Ode to Joy as I Never Heard it Before

    http://www.youtube.com/watch?v=xBlQZyTF_LY

    I've just watched this on a Sunday afternoon and rediscovered the meaning of sabbath:

    The gift of life celebrated by celebrating the joy of humanity.

    Eyes lifted above the mundane towards the future and our least selfish hopes

    Voices raised together in praise, supplication and self-offering to that which is greater than us.

    The renewal of hope by the eclipse of cynicism.

    The sifting of our emotions and the repristination of our desires.

    The costliness of excellence by disciplined gifts offered in the service of others.

    Harmony of voice, vision and purpose in realising our greatest longings as human beings.

    The performance of Beethoven's Ode to Joy here is, I use the word advisedly, awesome. And as an Advent connoiseur I resist the showy, the superfluous, the trivial and as much as I can of the consumerist sideshows. But this film clip performs on an Isaianic scale. Heaven.  

  • The Photo and the Poem

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    Photo taken on Friday, from Stonehaven beach.

    God's Mercy

    Gods boundlesse mercy is, to sinfull man,
    Like to the ever wealthy ocean:
    Which though it sends forth thousand streams, 'tis n'ere
    Known,or els seen to be the emptier:
    And though it takes all in, 'tis yet no more
    Full, and fild-full, then when full-fild before.

  • Nelson Mandela and the Dance of Reconciliation

     

    Human greatness is difficult to define, much more easily recognised in the way a life is lived. Even then, greatness may not be recognised during a person's lifetime, or come late in life. I listened to a Glasgow man on Radio Scotland, speaking with deep emotion and obvious honesty about the way he used to think of Nelson Mandela. As a young man he had seen a photo of Mandela, the convicted and imprisoned "terrorist", and he thought he looked an evil man. Ever since, he has been suspicious of the press, of self-serving State rhetoric, and the use of legislative policy to disqualify protest and resistance. If ever the word repentance was appropriate it was in this man's brief comments.

    I guess he wouldn't have known the Greek word metanoia – why would he. But he didn't need a lexicon – his tone of voice and what he said made it clear. Once he discovered the truth that Mandela stood for, and understood the oppression and dehumanisation of institutional apartheid, his commitment and way of looking at the world shifted, turned round.

    That one reflective Glasgow punter says as much about the gift that Mandela was to our world as all the other prepared tributes of the good and the great around the world. When Glasgow conferred the freedom of the City on Mandela it articulated the strong currents of respect for justice and commitment to human dignity that run deeply in the Scottish psyche. And is perhaps more to be reckoned with given our own shadowy past as an arm of empire, with implications in the slave trade.

    My own tribute to Mandela is the recognition that when a man comes out of prison and greets the world in the name of peace, then we are hearing the voice of human greatness. When that same man accepts the burdens of political responsibility and makes it his life's goal to bring reconciliation, justice, peace and a future to his people, and to all people, then the world is compelled to recognise that same greatness. Only then are we helped towards a definition of what we mean by human greatness. Yet it may be just as much the disposition of such a man, the humility and humour, the compassion and seriousness of purpose, the self-effacing determination to bring righteousness and peace into conversation, that is the real benchmark not only of human greatness, but of political courage and moral integrity focused on human welfare.

    It would be wrong to portray Mandela as a saint, secular or otherwise. But in another sense it is both essential and required of us, that we see in such a man, the mysterious quality of leadership that convinces the heart as well as persuades the mind, that here is someone who understands the tragic complexities of human society, and the moral perplexities of political justice. In my lifetime only Martin Luther King shares the stature, ambiguity and inspiration of Mandela as one whose own suffering and capacity for forgiveness were so obviously transformative of our shared life. And in the great vision in the book of Revelation, where people of every tongue, tribe, nation and people stand in praise before God, somewhere in that crowd is an ex-prisoner, dancing to African rhythms, and celebrating the great reconciliation of the peoples of the earth. Or so I hope. You can see a foretast of that dance here.

  • Faith as letting God Be God

    Apostle-paul-by-rublev

    Tucked away in C K Barrett's wee book on Paul is a gem of theological precision born of intellectual humility. As a description of the proper disposition of the true theologian it's as good as I know:

    "Faith is not a collection of theological propositions but a readiness to let God be the God he means to be and to give him thanks for being the kind of God he is."

    (C K Barrett, Paul. An Introduction to his Thought (London: Chapman, 1994) 97.

  • When Infinity Dwindles to Infancy…And God’s Final Word is Spoken

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    In his comment on yesterday's post Graeme wonders if "trying to imagine the invisible being made visible" might be the aim of my new tapestry. And if so maybe an empty canvas would best depict the mystery of Christology. Yes, and no. Yes in the sense that the Colossian hymn is about the pre-existent coming into existence, the Creator becoming a creature, what the poet calls 'infinity dwindled to infancy', and yes, the invisible becoming visible – which all sounds like paradox as escape route.

    Therefore no, I'm not trying to make the invisible visible by an empty canvas because incarnation is revelation, and the last Word God has spoken, in the sense of ultimate, final, definitive and therefore effective in accomplishing that for which He is sent, is the person of Jesus. Thus the Colossian Christology is both mystery and revelation, glory and humility, splendour and tragedy, as the one who made all things comes into that which was called into being by Love, and in the midst of brokenness and fragmentation, reconciles all things to himself making peace by the blood of the cross.Not paradox then, but both and, both mystery and revelation.

    So an empty canvas won't do, at least not for me. But neither would one in which the content was so specific and sure of itself, so settled and certain, so tidy and predictable that it becomes the mere human image of that which in unimaginable. So perhaps the canvas which does indeed hold all things together in any tapestry, nevertheless supports a content that seeks to imagine, understand and represent that which elsewhere Paul urges as impossible but imperative, "to know the love that surpasses knowledge". But Graeme's question is a cautionary reminder that all art, from the written to the painted, the sculpture to the photo, the tapestry to the woodwork, are sacraments of thought and devotion, mere finite feeling after the infinite. But when it comes to worship, the word "mere" doesn't mean insignificant, but on the contrary indicates those activities and responses which are the telling evidence that God has put eternity in human hearts. 

    The photo is taken 30 miles south of Fort William, another of those moments when mystery and gratitude, wonder and worship, merge into praise.

  • Advent, an Empty Canvas and the One in Whom All the Fullness of God Was Pleased to Dwell.

    DSC01742Today I'm starting a new tapestry. At the moment it's undefined except I want to do a colour exegesis of Colossians 1.15-20. I want to do it as a representation in colour and allow the developing colours to define the form and pattern. I'm considering starting in the middle of the canvas and working outwards, and each time I pick it up, always to read the passage and then just get on with it! Now here's a theologically loaded question for aesthetics; or perhaps an aesthetically probing question for theology – What colour is pre-existent and incarnate Christology 🙂

    All of this is of course radically subjective and there's the risk, perhaps even the likeliehood that I'll simply indulge and favour my favourite colours. Yet as a form of contemplation, a dwelling in the world of the text, there are some gains, and some safeguards. The first is a constant reading and re-reading of the text, each time before the needle returns to the canvas. The second is to dig into and around the text, keeping a journal of exegetical excavations, recording reflections and ideas, keeping a photographic record of its development. In this way the work of exegesis, the welcome discipline of faithful enquiry, the guiding of feeling in conversation with the text will I hope open imagination beyond the immediate and subjective. The third is to try to faithfully and honestly reflect on the text from the daily context of life as I live it, the world as it is, and my own inner climate as the text does its work of command and invitation to perspectives other than my own.

    All of this is experimental, and as open ended as these things can be. The framed canvas without a stitch but with needle poised was the easy part! It's Advent, and Colossians 1.15-20 seems to me to be a text of hopefulness and expectation. To peace on earth and good will to all peoples, Colossians earths that hope on a Jerusalem dump where God in Christ is reconciling all things, making peace by the blood of the cross. 

  • R S Thomas and Advent: “Within listening distance of the silence we call God…”

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    But the silence in the mind

    is when we live best, within

    listening distance of the silence we call God…

    It is a presence, then,

    whose margins are our margins; that call us out over our

    own fathoms.

    It's the eve of Advent which is a season of depth and waiting, of promise, hope and patience. Just as the frantic frenetic fanaticism of fundamentalist consumerism reaches its fantastic fever pitches of greed and getting, I welcome not an excuse, but a reason, to find time and space for silence and ungrasping.

    And yes, that last sentence is overwrought and over-written, but it tries to describe a culture that is equally overwrought and precisely at this time of year descends into the chaos of hyper-consumerism.

    So these words of R S Thomas draw me towards the mystery of that which cannot be purchased; remind me of a grace that has no barcode, and gives access to the Good and all goods without a credit rating. And Thomas recognises that the depths of human longing and hoping reverberate with the presence and promise of God, that we are beings with our own unfathomable reaches, beyond our ken but within the knowing of a love eternal and constant.

    The photo was taken on the Fort William road, the reflection of the hills over the depths of the loch an icon of the human being, the reflected image of God. A place that invites us to come within listening distance of the silence of God.

    Veni Emmanuel.

    s

     

  • Winter Haiku

    Leaves

     

     

     

     

     

     

     

     

     

     

     

     

    Winter Haiku.

    Frosted autumn leaves

    discarded in the gutter,

    defy the greyness.

    ……………………………….

    Getting into the car I noticed these frosted now defrosting leaves in the gutter which was full of grit, gunge and oily road surface. In unexpected places there are those who defy the greyness.