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  • The Moment When I Was Unique in All the World

    Dont-let-the-worldOn a day out doing stuff with Aileen, our daughter.

    Waiting at an appointment I passed the time reading George Herbert's poems in my pocket Everyman edition – these are beautiful small hardbacks, and this one stays in the car for just such fugitive moments. I prefer Herbert to Hello magazine in waiting rooms.

    Later in the supermarket she tracked me down to haberdashery, where I had discovered and was examining the selection of needles, looking for a particular size of tapestry needle. It hadn't ocurred to me to look in Tesco for tapestry needles. It hadn't ocurred to her that she would find her father enthusing about Tesco's needlework hardware.

    While doing so I was whistling quietly – a habit that's really annoying if you're not me. The tune I was whistling, as often, was the one I;d just been playing in the car, John Denver's Poems and Prayers and Promises.

    Put all three things together and she reckons I was, at that moment, unique in all the world. Who else would be sampling embroidery needles in Tesco, with a well used hardback volume of Metaphysical poetry in his jacket pocket, while whistling the tune to a cheesy country song by a now dead singer songwriter you either love or hate?

    Answer, probably no one else. But George Herbert's is the poetry of religiopus genius; tapestry is its own art form; and John Denver was a supreme artist of music that celebrates humanity, our world and many of the things that matter and then some.

    To be at one moment on a Thursday afternoon, someone in whom all three coincide is, to be able to smile at those quotidian intersections of circumstance when the contingent and the purposeful unintentionally embody the unique mystery that is any one of us. And a moment to be thankful for, in the words of Herbert:

    Thou who has giv'n so much to me,

    Give one thing more a grateful heart….

    Not thankfull, when it pleases me;

    As if thy blessings had spare days:

    But such a heart, whose pulse may be,

                                                Thy Praise.

  • Caption Contest on Rembrandt’s Paul.

    Rembrandt-apostle-paul-in-prison

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

     

    Some Captions as Hermeneutic Suggestions.

    "How come they didn't find my sword when they strip searched and jailed me?"

    "My feet are killing me!"

    "Come on think, think! What was that guy's name again, came from Philippi, begins with an E…"

    "Wish they'd invent email and data sticks!"

    "God, I need a good PA – I hate paperwork."

    Happy to hear other caption suggestions for this painting.

    ……………….

    The above is one of my favourite portraits of Paul the Apostle. Not the armour clad Caravaggio's muscle bound warrior, more the frail and hunted ageing apostle much less sure of himself. Is he ever going to leave prison – he doesn't know, so he has one sandal on and the other under his foot to keep it warm, how beautiful the feet that bring good news.

    The books on his bed are almost as big as some recent works written about him by Jewett, Campbell and Wright! More seriously, this is the premier theologian of the nascent church thinking his way towards an adequate theology of the One he calls Lord; or maybe he's wondering just what he needs to write to those migraine inducing Corinthians whom he loves and longs to see grow up!

    The sword, lying against those massive tomes, is no longer the persecutor's tool of trade, it is the Word of God, cruciform, the sword of the Spirit. He is blissfully unaware that his own face is radiated by the light of Jesus Christ, he is no longer lost, just lost in wonder, love and praise – even if his expression is a mixture of apprehension and contemplative puzzlement

    The stylus is in his left hand – was Rembrandt left-handed, the most natural explanation for showing Paul like this. And the stylus is inactive, awaiting the clarity of thought that perhaps only an apostle who doesn't have delete and cut and paste has patience for, and therefore what is written has to be first thought, because papyrus and ink are unforgiving materials in the service of a forgiving Gospel.

    What particular thought is he struggling with – Perhaps that moment of illumination when he, like the rest of us was unsure of God's purposes, and as he weighs the possibilities,  "For to me living is Christ, and dying is gain….I am hard pressed between the two: my desire is to depart and be with Christ, for that is far better; but to remain in the flesh is more necessary for you Philippians."

    This portrait is of an apostle both vulnerable and uncertain, not a hint of self-confidence but somewhere deep in the heart's core, a love that inspired recklessness, persistence and some of the greatest thinking about God in Christ the church would ever know.

  • Isaac of Nineveh and Micro Photos of Grains of Sand

    I like Isaac of Nineveh who said, "Be a herald of God's goodness". Against all preaching and announcing of life's negatives, this 7th Century Syrian Bishop insisted that the vocation of the follower of Jesus is to herald God's goodness.

    Not that I've seriously read Isaac of Nineveh, but I've come across him now and then. Most recently in Olivier Clement's The Roots of Christian Mysticism, a catena of patristic texts threaded by Clement's commentary. I keep it handy because it provides food for rumination on any page I open.

    In a chapter on the difficult love, that is the demand and cost of loving God and neighbour, Isaac is quoted to show that the Divine Love outshines and indeed overwhelms our own effort, and in doing so doesn't obliterate them but redeems them.

    As a grain of sand does not balance a load of gold, so the effect of God's justice does not counterbalance His compassion.  As a handful of sand thrown into the ocean, so are the sins of frail flesh as compared with God's providence and mercy. As a fountain that flows abundantly is not dammed by a handful of earth, so the mercy of the Creator is not vanquished by the wickedness of the creatures.

    51ziVpYYcHL._BO2,204,203,200_PIsitb-sticker-arrow-click,TopRight,35,-76_SX385_SY500_CR,0,0,385,500_SH20_OU02_Now speaking of grains of sand – I recently bought this book as a visual tonic. The micro-photographs are amazing, exept our capacity to be amazed suffers from the deflation of that word being over-used.  Likewise the word awesome. But using the words without the downward drag of careless overuse, the photographs do cause what Arthur Quiller Couch calls 'cerebral inconveniences', and their beauty does hint at the transcendent – so yes, amazing, and awesome.

    Now when I read about sand in the Bible I have a much richer sense of what a grain of sand looks like – and the individuality and beauty of each and every one of them – that;s another overused cliche, often used in churches, as we pray for 'each and every one of them'. But I can think of few better uses of the phrase than sich an inclusive set of brackets – each and every one. Maybe the one biblical text where grains of sand don't get such a good press is when foolish builders build houses, not on solid higher ground, but on flood plains!

  • The Unrecognisable, Unworship-able and Non-Existent “god” of the New Atheists

    51YRORx6NiL._BO2,204,203,200_PIsitb-sticker-v3-big,TopRight,0,-55_SX278_SY278_PIkin4,BottomRight,1,22_AA300_SH20_OU02_Some years ago I made my way (slowly) through David Bentley Hart's The Beauty of the Inifinite. In the now legendary words of one of our Honours students, "This is a hard book". The student received the not too unsympathetic and the now equally legendary reply by the lecturer, "This is an Honours course!". That exchange still echoes year on year, in the collaborative and interactive conversations that take place as the preferred form of learning and teaching in our College. 

    The Beauty of the Infinite ranks with several other theological books I read through with an experience similar to a middle aged man starting on a fitness regime and not liking the hard work of the gym circuit, liking even less getting up early to keep the discipline of the daily jog and fighting against his badly educated neurotransmitters to lose the taste for junk food and chocolate! The benefits are not immediate, but they are life enhancing, intellectually renewing, they make for a healthier mind, and they open up horizons which previously could only be viewed from afar, or puffed towards, with a stitch in the side, and no guaranteee I'd ever get there.

    Other hard books have a similar weight, importance and carry the same intellectual health benefits. Eberhard Jungel's God and the Mystery of the World; Kevin Vanhoozer's The Drama of Doctrine and Is There a Meaning in the Text; Von Balthasar's Mysterium Paschale; Barth's Church Dogmatics Vol II.1 and 2; Pannenberg's Systematic Theology, each of the three volumes a whole year's training circuit!

    But then there are other kinds of 'hard books', not because they are intellectually demanding, loaded with complex concepts, rooted in disciplined philosophical and theological traditions, but because they demand the full attention of intellect, affection, conscience and personal responsiveness. These are not better than intellectually demanding books, they are different in the demands they make, but the aim is the same. They seek a similar response of self-giving to the task of faith seeking understanding, and mind and heart learning and living towards a deeper, clearer, more humble vision of the love of God.

    My conversations with such books have included Moltmann's The Trinity and the Kingdom of God; Vanstone's Love's Endeavour, Love's Expense; The Rule of St Benedict; Julian of Norwich's Revelations; George Herbert's The Temple; Belden Lane's The Solace of Fierce Landscapes; the Poetry of R S Thomas, Denise Levertov, Mary Oliver and Seamus Heaney; Catherine Lacugna's God for Us; Walter Brueggemann's Old Testament Theology; the novels of Chaim Potok; Merton's No Man is an Island and Seeds of Contemplation.

    313T10Z2HBL._BO2,204,203,200_PIsitb-sticker-v3-big,TopRight,0,-55_SX278_SY278_PIkin4,BottomRight,1,22_AA300_SH20_OU02_All of which brings me back to David Bentley Hart, and his latest book. The Experience of God. Being, Consciousness, Bliss, (Yale University Press, 2013). Along with Terry Eagleton's Reason, Faith and Revolution, Hart's new volume is one of the most telling and serious riposte's to the intellectual deficits (by the way I miss-typed that word as deificits – is that a neologism for such rationally deficient atheism?) – anyway, Hart's riposte to the intellectual deficits and atheological naivete of the new atheist polemics against God, religion and faith as a way of knowing.

    Hart's aim is quite simple, and quite ambitious – he offers an exploration of the concept "God" as the word and concept function within the great theistic faiths of the world. In doing this it becomes clear that what the new atheists so passionately hate, dismiss, deconstruct, fear and fight, is a concept of God unrecognisable by the people and traditions which can be named in any meaningful way as theistic. So this book is an attempt at explicating the conception of God in Christian and other theistic faith traditions, but articulated by a Christian who neither dismisses the authentic traditions of theistic faith, nor cedes to the new atheists the freedom to define the word "God" in terms that suit conclusions, presuppositions and prejudices already in place in such writers' world view.

    Starting from next Monday I'll do a series of posts on Hart's chapters (there are 6 of them). .

  • R S Thomas, the Expanding Universe and the Crucified God.

    Italy-pieta-michaelangeloR S Thomas is best known as the poet of the absence of God, or at least of the presence of God made most acute by his absence. When he is in an angry interrogative mood he besiges the customer services department of the Divine, and with a determination and articulation that makes it difficult to pacify him, let alone satisfy him.

    Tell Us

    We have had names for you:

    The Thunderer, the Almighty

    Hunter, Lord of the snowflake

    and the sabre-toothed tiger.

    One name we have held back

    unable to reconcile it

    with the mosquito, the tidal wave,

    the black hole into which

    time will fall. You have answered

    us with the image of yourself

    on a hewn tree, suffering

    injustice, pardoning it;

    pointing as though in either direction:horrifying us

    with the possibility of dislocation.

    Ah, love, with your arms out

    wide, tell us how much more

    they must still be stretched

    to embrace a universe drawing

    away from  us at the speed of light.

    There is a surprising softness, even sympathy in the portrayal of love crucified, of God spreadeagled and hung in the ultimacy of human pain as it stretches to enfold the whole creation. The last five lines are the reluctant recognition of the poet that infinite suffering is beyond finite comprehension, and therefore the supreme scandal of Christian faith, that the stretched arms of the crucified Jesus are the embracing arms of God holding the universe in being and drawing all that is into the reconciling embrace of the Creator.

    This poem echoes some of my own thought and feeling as I've lived within the text of Colossians 1.15-20. That hymn to Christ gives a theological vision which is complemented by Thomas's poem, and the poet's sense of God crucified underlies the cosmic oxymoron that is foolishness to rational minds, and yet is the wisdom of the redeeming God.

  • Spiritual friendship: When Sharing is More than Gossip in Freefall.

    Been thinking a bit about openness within the community of Christ. What kinds of relationship makes it possible for us to speak with each other trustfully and listen attentively? These essential presuppositions of mutual pastoral care and accompaniment are about our willingness to entrust ourselves to others, who also entrust themselves to us, in a relationship of mutual respectful love. Such New Testament imperatives as ‘bear one another’s burdens and so fulfil the law of Christ’, and ‘admonish one another in love’, require an openness of heart and spirit that is hard to manufacture, and grows within us only as we are open to the grace of Christ.

    Merciful-Knight-Burne-Jones-LWhen Paul is having a hard time with the Corinthian community he urges them to open their hearts to him. For Paul Christian fellowship is only possible when generosity of heart issues in emotional and spiritual hospitality as we welcome one another as God in Christ welcomes each of us. Paul is not commending emotional exhibitionism, spiritual self-advertisement, or any other self-concerned form of ‘sharing’. He is rooting our care for each other in the compassionate competence of Christ, the sufficient grace of God, the enabling and transforming counsel of the Counsellor. Such open-hearted conversation enables each of us within the Christian community to speak and listen, and come to a new understanding of what it might mean to be heard, understood, and affirmed within the love of Christ.

    A couple of recent encounters with folk have led to conversation about just how hard it is to follow after Christ, just to keep going, and to know that we are travelling in the right direction

    De-motivation – what takes the wind out of our sails? Which of our recent experiences drained us of energy, eroded confidence, knocked our self-esteem – which is different from teaching us humility? Recognising and challenging de-motivators in us, and in others, is one of the first principles of a ministry of encouragementis important in sustaining our ministry.

    Life Balance – Prioritising is an obvious way of managing conflicting demands. But who decides on the order of priority? Family; personal walk with God; wider ministry; ministry in the church; Sabbath; study versus people. How far would we trust someone to tell us we are unbalanced?

    Hopes – ambition is not a bad word, unless it is an engine driving us along a self-chosen road. So what we hope for arises both from our identity and from our self-awareness. Talking of our hopes is an important way of articulating our faith – and of putting anxiety, fear and tedium into perspective. But who would we netrust with our hopes, and with the insight to guide us towards them?

    These I think are crucial areas in which genuine spiritual accompaniment takes place within a discerning and wise sharing. When Paul speaks to the Corinthians about opening their hearts in affection towards him he is asking an awful lot; and so do we when we throw around that word, 'sharing'.

  • The Colossians Christology Tapestry – Progress Report

    I'm sitting listening to Karl Jenkins' Armed man: Mass for Peace, and right now the Gloria is loudly and splendidly defying the grey last day in January morning. I've also been working on the new tapestry which for the moment I'm calling the Christology tapestry. Don't laugh, at least not yet. I mentioned what this is all about in an earlier post over here.

    6a00d8341c6bd853ef019b01fe10ea970c-500piThe tapestry is slowly emerging from a daily living with the text of Colossians 1.15-20. The colours and emerging form are inevitably taking on some definition, and once ideas are worked into it they stay there. You can't paint over a tapestry, and you can't unstitch one worked on fine canvas with stranded cotton, so once the stitches are sewn, they stay. Of course there's risk and choice involved in a freehand work, though as it progresses the freedom and the choices are slowly constrained by previous work.  So certain colours are beginning to give shape, texture, character, and fixity to ideas which themselves emerge from reflective thought, mood and feeling, unconscious memory, personal preferences from previous choices, and so it goes on.

    This is a fascinating experiment in close reading. I've read the passage often now, slowly as in lectio divina. I've studied it and taken notes from a number of commentaries, and currently working with J D G Dunn's commentary on the Greek text. At times I find myself chasing reference to other biblical references, or working out my own views on the importance of the prepositions, or the parallels with OT wisdom, and so on.

    Other times there is the sheer beauty of the imagery, and the theological refreshment of browsing in a text that is profoundly formative of Christian vision, giving urgency to spiritual imagination and lifting devotion into adoration. Then again I've consulted several scholarly articles delving into background, semantic puzzles, literary structure, Pauline theology, history of interpretation, and then gone back and read it again in the new light -  – and all of this bringing the text to life, opening up a theological vista which opens up the mind, and then comes to the point of a needle with thread!

    Anyway. Reading Dunn's comments about the Colossian hymn this morning Ifound this:

      "…it is important to realisethat this is not the lanaguage of clinical analysis but of poetic imagination, precisely the medium where a quantum leap across disparate categories can be achieved by use of unexpected metaphor, where the juxtaposition of two categories from otherwise unrelated fields can bring an unlooked for flash of insight."  The Epistles to Colossians and Philemon. NIGTC (Grand rapids: Eerdmans, 1996) 93.

    That's as good a description of the proper use of metaphor as I know.

  • “So, friends, every day do something that won’t compute….”

    So, friends, every day do something

    that won't compute. Love the Lord. 

    Love the world. Work for nothing.

    Take all that you have and be poor.

    Love someone who does not deserve it.

    I came across these lines a while ago, noted them, and intended to go looking for where they came from – and forgot. They turned up again and this time I Googled them. I was surprised to find that, unsurprisingly, they are written by Wendell Berry. Surprising because to be honest I should have recognised them, and that for several reasons. Unsurprising because, first, I've now read swathes of Berry's poems, and his Sabbath Poems is at my bedside.

    Second, I can almost hear his slow diction as he looks out at the world of people and says, slowly, "So, friends…" I know few poets who use the word 'friend' with such convincing sincerity – Seamus Heaney being another.

    Third, the benevolent Luddite exhortation against the human obession with computing, calculating, bottom line, data-gathering ways of evading the beauty of the world.

    Fourth the underlying grace and humanity of the last three lines, which define love not by definition but by disposition, action and the unselfing of the self.

    The words come in one of Berry's signature poems, a long series of exhortations and life guidance, a sharing of experience that is the essence of wisdom, but to many others would sound like folly, and perhaps, above all, a poem that calls in question much of the trivia we invest with exaggerated significance in a world consumed by the human desire to consume. Our culture loves the sound byte and the buzz phrase – one of the kore recent 'taking the long view'. In ways much deeper than shrewd business strategies, Berry's poem takes the long view, and encourages the dispositions and actions of love, for others, for the world, for the Lord.

    DSC00757

    (The photo was taken from a ruined castle in rural Aberdeenshire)

    Manifesto: The Mad Farmer's Liberation Front.

    Wendell Berry

    Love the quick profit, the annual raise,
    vacation with pay. Want more
    of everything ready-made. Be afraid
    to know your neighbors and to die.
    And you will have a window in your head.
    Not even your future will be a mystery
    any more. Your mind will be punched in a card
    and shut away in a little drawer.
    When they want you to buy something
    they will call you. When they want you
    to die for profit they will let you know.

    So, friends, every day do something
    that won't compute. Love the Lord.
    Love the world. Work for nothing.
    Take all that you have and be poor.
    Love someone who does not deserve it.
    Denounce the government and embrace
    the flag. Hope to live in that free
    republic for which it stands.
    Give your approval to all you cannot
    understand. Praise ignorance, for what man
    has not encountered he has not destroyed.

    Ask the questions that have no answers.
    Invest in the millennium. Plant sequoias.
    Say that your main crop is the forest
    that you did not plant,
    that you will not live to harvest.
    Say that the leaves are harvested
    when they have rotted into the mold.
    Call that profit. Prophesy such returns.

    Put your faith in the two inches of humus
    that will build under the trees
    every thousand years.
    Listen to carrion – put your ear
    close, and hear the faint chattering
    of the songs that are to come.
    Expect the end of the world. Laugh.
    Laughter is immeasurable. Be joyful
    though you have considered all the facts.
    So long as women do not go cheap
    for power, please women more than men.
    Ask yourself: Will this satisfy
    a woman satisfied to bear a child?
    Will this disturb the sleep
    of a woman near to giving birth?

    Go with your love to the fields.
    Lie down in the shade. Rest your head
    in her lap. Swear allegiance
    to what is nighest your thoughts.
    As soon as the generals and the politicos
    can predict the motions of your mind,
    lose it. Leave it as a sign
    to mark the false trail, the way
    you didn't go. Be like the fox
    who makes more tracks than necessary,
    some in the wrong direction.
    Practice resurrection.

  • Slow reading of Slim Volumes 1. Colin Gunton, Christ and Creation

    One of the benefits of a slim book, apart from economy of shelf space in a crowded study, is the ease with which it can be re-read, especially if first time round it was annotated. You'd think previous pencil footmarks and annotated fingerprints would be a distraction – it is if someone else did them. For me they always make me wonder why I thought that important enough to underline, annotate, not want to forget; and also to ask do I still think that? Colin Gunton's Christ and Creation, 126 pages of lucid reflection on two alpine doctrinal themes, is well worth re-reading, as I've just discovered. 

    Freedom is not an absolute, but something exercised in relation to other persons, and that means in the first instance that it is the gift of the Spirit of God over against us, God in personal otherness enabling us to be free. It is in our relatedness that we are free or not, and this is true of all human life. (p55)

    The self-emptying of the eternal Son in the incarnation and passion is an expression of the love of the triune God worked out in the structures of fallen time and space. (p88)

    The church is thus the community where fallen forms of relationship are invalidated and outgrown; are unlearned through the grace of God and the work of the Spirit. It is important to remember that what is involved is not instant transformation, but a reordering of teleology or directedness. (p110)

    Freedom, kenosis and community – now there are three areas crying out for serious consideration as validating criteria for Christian community which exists for the purposes of witness to the Gospel of Jesus Christ.

     

  • Holocaust Remembrance Day: Elie Wiesel and the Saving Power of Memory

    On a sunny July afternoon, sitting under a plum tree, in a cottage garden near Goatland, Yorkshire, I was reading the first volume of an autobiography. A few yards away at the bottom of the garden, the stream chuckled and murmured, the small bird population was out and about, and it was a good day to be on holiday. Across the stream, the old railway line on which the steam train still ran twice a day, and a hundred yards away the railway bridge, its arches blackened by smoke, through which the train appeared still puffing out the smoke that immediately sent me back to a childhood in Ayrshire beside the main New Cumnock – Dumfries line.

    That afternoon, in good time, the train could be heard chugging its way along the valley, and as it approached the bridge the whistle sounded. It was a moment of epiphany for me, a coincidence of sound, smell and sight which transformed what I was reading into words that became eerie and frightening, and resonant with a solemn awareness of life's ambiguity and tragedy I have hardly ever felt, before or since.

    513A7ADABBL._I was reading Elie Wiesel's newly published autobiography, All Rivers Rune to the Sea. I was reading, at the precise time the Yorkshire steam train approached the bridge, the paragraphs in which he recalls as a teenager, the sound of the train engines chugging, the whistles screaming, the clanking of the wagons, as trains left for Auschwitz. In Yorkshire, on holiday in sunshine,the picturesque reminded of the grotesque 60 years earlier in Poland. And did so with such force the memory remains vivid. That coincidence of my life with what I was reading of another's life, is fixed as one of those moments in life when truth penetrates well below the radar of rational control, and we are bereft of explanation. There is a mystery of human connectedness that just is, and we are not wrong in sensing the need for humility, and the risk that we stand on the brink of what is holy. 

    In perhaps the most famous words Wiesel has written, seared in the minds of those who read them first in Night, Wiesel stated with adamantine intent, his life's work:

    "Never shall I forget those moments which murdered my God and my soul and turned my dreams to dust. Never shall I forget these things, even if I am condemned to live as long as God Himself. Never."

    Holocaust Remembrance Day is as important as any other day in the Christian Calendar. It is a day to remember human capacity for evil, and for good. But actually, Wiesel does not see these two as the ultimate polarity. His experiences at Auschwitz showed him something much more sinister and corrosive of humanity, something that can ignore cruelty, smother compassion, approve atrocity, silence conscience, even re-set conscience to a default setting of complacency – he called it indifference.

    The opposite of love is not hate, it's indifference. The opposite of art is not ugliness, it's indifference. The opposite of faith is not heresy, it's indifference. And the opposite of life is not death, it's indifference.”

    To play Mozart as the welcoming music at Auschwitz is a grotesque example of such indifference. At the heart of Christian civilisation mechanised murder was made possible, and human worth and value neutralised by ideology, and indifference to human consequences. This should never be forgotten. Wiesel is right, and has the right, in my view the absolute right, to require of the Christian church, a willingness to remember, to repent, and never to forget the consequences of a Christian theology laced with the toxins of anti-semitic rhetoric, co-opted by a state church in thrall to the political power brokers. Such thralldom is as far removed from the New Testament truth of the crucified Jewish Jesus, and the New Testament visions of the Church as the Body of Christ, as can be conceived by minds indifferent (Wiesel's word) to the message of reconciliation in which there is neither Jew nor Greek, and the realiry of the Messiah in whom the two become one.

    The last words are from Elie Wiesel.

    For us, forgetting was never an option. Remembering is a noble and necessary act. The call of memory, the call to memory, reaches us from the very dawn of history. No commandment figures so frequently, so insistently, in the Bible. It is incumbent upon us to remember the good we have received, and the evil we have suffered.

    “This is the duty of our generation as we enter the twenty-first century — solidarity with the weak, the persecuted, the lonely, the sick, and those in despair. It is expressed by the desire to give a noble and humanizing meaning to a community in which all members will define themselves not by their own identity but by that of others.”

     

    I decided to devote my life to telling the story because I felt that having survived I owe something to the dead. and anyone who does not remember betrays them again.
    Read more at http://www.brainyquote.com/quotes/quotes/e/eliewiesel117181.html#SxrM02gQIdsIUycw.99
    I decided to devote my life to telling the story because I felt that having survived I owe something to the dead. and anyone who does not remember betrays them again.
    Read more at http://www.brainyquote.com/quotes/quotes/e/eliewiesel117181.html#SxrM02gQIdsIUycw.99