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  • A Fib Fest of Bible Stories.

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    One or two of the blogs I visit have started exploring the fun of the Fib. Gave me the idea that it might be fun to have a Fib Fest of Bible Stories. Would help to keep your mind active and attentive to more serious things than the usual Christmas pastimes. If there are enough it would be fun to compile them into a Collection of Bible Fibs – to go alongside the Haiku Introduction to the NT. (If you missed this you can view it on the September 8 posting. )

    Just to be clear, a Fib isn't an untruth! It's a poem of 20 syllables in which the number of
    syllables in each line is the total of the two previous lines  – thus
    1,1,2,3,5,8. You can of course continue upwards so that the next line is 13, then 21, after which it gets too silly I think. Fib poems are based on the Fibonacci mathematical sequence and you can find a fuller explanation here

    The rules for this Fib Fest of Bible Stories are simple and three:

    The Fib

    1. can only have 7 lines, on the pattern explained above, the last being 13 syllables.
    2. must encapsulate a story from the Bible.
    3. leave your Fib in the Comments Page.

    To illustrate I've chosen two of my favourite stories. Try to choose a story no one else has attempted so far, so that we can have a wide range of biblical stories. A later Fib Fest may focus on one story, from the multi-perspectives of the contributors. Cumulatively that would be communal exegesis!

    Oh and have fun – much in the best Bible stories makes for laughter, food for thought – even prayer!

    Sarah

    Sarah

    laughed!

    Why not?

    So would you!

    Old age child-bearing,

    even when announced by angels

    with straight faces; a cruel joke, or God’s promise. Which?

    …..

    Jacob

    Dark

    night.

    Jacob

    fast awake,

    conned into wrestling

    for his life, then hirpling into

    the breaking dawn, learning to lean on integrity.

     

  • Advent, Guantanamo and the witness of cup poetry

    The debate about poetry and politics, and the difference between poetry as propaganda and poetry as articulation of human hope and hunger, is much, much more than a hermeneutical conversation piece between academics. I came to this conclusion by reading "cup poetry".

    Cup Poetry is a way of crying, an attempt to find purpose in years of weeping. Cup Poetry gives voice to the unlistened to, even if that voice is heard only by the speaker. Cup Poetry tells of terror, dread and loss of self, in the hope that another human being will hear – and care. Some cup poems are the condensation of human anguish into tears, then used to inscribe and describe despair. Cup poetry is the name for poems scratched on styrofoam cups with pebbles; poems written in toothpaste; poems passed in fragments from cell to cell to preserve as much of them as possible. Anyway, poems written out of unimaginable suffering, composed under atrocious conditions of deprivation, each one demonstrating the capacity of human beings to face the disintegration of life, relationships and personal identity by ordering word and thought into a poetics of suffering.

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    That is the best I can do to describe the experiences out of which the volume Poems from Guantanamo: The Detainees Speak, was born. This volume and these poems created the term, "cup poetry".

    The very existence of Guantanamo calls in question the moral principles and political rationale for our way of life, which claims to be based on such foundations as freedom, justice, rule of law and respect for persons. When these foundations are subverted by the actions of military power driven by political rage, the victims are stripped of those defining rights to life and status as human beings without which human community isn't worth the candle, and our own moral principles turn toxic. It is one of the tragic ironies of the past few years, that the "fabric of cruelty" out of which Guantanamo has been tailored, has enmeshed untried detainees who demonstrate in poetry written under such conditions, the nature and beauty of language shaped to human suffering. Poetry as articulated suffering serves to highlight the moral diminishment of their captors and torturers. Cup poetry has captured the captive voices of those detained without trial. The poems are spoken with fading hope into the deafening maelstrom of counter-terrorist rhetoric, illustrating why poetry has its own non-violent potency when faced with the savage consequences of dehumanising others in the interests of national security and the myths of Empire.

    Cup poetry exists as protest, and exerts both moral and political claim upon a world that has tolerated the obscenity of Guantanamo. But more than protest – cup poetry is an affirmation of human dignity and worth that has miraculously survived the most systematic and mechanistic attempts to erase the humanity of the detainees. Cup poetry as protest and affirmation of human worth creates a further impetus towards understanding the role of poetry as a conversation with theology. Whatever else Guantanamo means, it represents an offence to any moral theology of justice; it boasts a degradation of human values and a refusal to countenance any limit to the exercise of power over the powerless. Any redemptive vision is hinted at, not in the ideology of the Guantanamo regime – but in the poetry of its prisoners.

    What does all this mean for Western Christianity confronting global Islam?

    How does a poetics of suffering compete with the rhetoric that spawns slogans such as "war on terror"?

    Here is a poem, etched originally on smuggled fragments of a styrofoam cup, words against the powers.

    ……………………………………………………..

    Is It True?

    By Osama Abu Kadir

    Is it true that the grass grows again after rain?

    Is it true that the flowers will rise up again in the Spring?

    Is it true that birds will migrate home again?

    Is it true that the salmon swim back up their streams?

    It is true. This is true. These are all miracles.

    But is it true that one day we'll leave Guantanamo Bay?

    Is it true that one day we'll go back to our homes?

    I sail in my dreams. I am dreaming of home.

    To be with my children, each one part of me;

    To be with my wife and the ones that I love;

    To be with my parents, my world's tenderest hearts.

    I dream to be home, to be free from this cage.

    But do you hear me, oh Judge, do you hear me at all?

    We are innocent, here, we've committed no crime.

    Set me free, set us free, if anywhere still

    Justice and compassion remain in this world!

    "Shortly
    after 11 September, Osama Abu Kadir travelled to Pakistan to perform
    charity work in Afghanistan with the Islamic missionary group Tablighi
    Jamat. The US claims Tablighi was providing fighters for jihad in
    Afghanistan and arrested Mr Kadir near Jalalabad in November 2001. In
    his native Jordan, he was known as a dedicated family man who worked as
    a truck driver. In Guantanamo, he is known as prisoner number 651."

    ……………………………………………….

    31O6ZfHv-cL._SL500_AA180_The fuller story of this remarkable book can be found here at The Independent, and here at Iowa University Press. And yes. I recognise that we live in a world of terrorist atrocities beyond any scale of moral justification, from Ground Zero to Mumbai. And I understand that extraordinary threats require extraordinary response. And that undeserved pain and innocent suffering inflicted on victims of such atrocities are themselves a negation of the deep principles of human moral existence. As such they are to be condemned, opposed, and overcome – but surely by means which do not undermine those fundamental principles of justice and humanity which every terrorist atrocity diminishes.

    But responses are more than extraordinary when institutional cruelty, intelligence gathering torture, and unremitting despair tighten an already vicious circle of violence and hate. That happens when principles of freedom, justice, moral accountability and the dignity of human beings are seen as dispensable in the pursuit of military and political goals. In the non-Western world, and amongst many in our Western democracies, Guantanamo stands for an unprecedented and grievous loss of human decency and moral authority. Against this place and its purpose, these poems bear witness; and against this place, and against the terrorist violence and hatred that has spawned it, as a follower of Jesus, I pray.

    Advent – peace on earth and goodwill amongst all people -  is a good time to hear of the demise of such a place, and to pray for that peace which makes such places, and the terrorism used to justify them, unthinkable.


  • Advent, Guantanamo, and defending human values

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    There is a frantic search going on in and around the Pentagon these past few days. President elect Obama served notice some time ago on Guantanamo. The search is on for feasible and practical solutions to the problem of what to do with several hundred prisoners, held without charge, some of them for over five years, in conditions unacceptable by any standards of civilised policing, the significant majority of these detainees having been tried in no internationally recognised court. There is also for the Pentagon and those allied with US policy, the political problem of now trying to justify such blatant abuse of human rights and international standards for the treatment of prisoners. Because such an orchestrated closing down process will inevitably expose the brutal systemic cruelty inflicted on hundreds of detainees by means of which a major modern democracy set out to defend democratic rights and liberties. That is not only ironic – it is morally embarrassing and disabling to such a severe degree that its future consequences for political and diplomatic integrity are incalculable. If democracy can only defend itself by brutalising others, just what is it that is being defended?
    And why should anyone ever again trust the leaders of the "free world" (sic), enough to call them friends?

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    I want to reflect on this more fully, both theologically and ethically in another post, probably tomorrow. Advent scriptures abound with the cry of prisoners for liberation, are interrupted by howls of prayer and protest against the oppressor, and make much of the encroaching threat of darkness, and of the fatal threat to darkness of the surely coming light.

    As a Christian, a citizen of the UK, a beneficiary of a democratic way of life which for all its shortcomings confers certain rights and privileges, and as a representative of "the West", I look on Gunatanamo with deep shame, and a deep felt urge to repentance.

  • The Inconceivable Consequences of the Annunciation.

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    I have a signed copy of Luci Shaw's book of poems, Writing the River. It occurs to me that a number of those poets whose work resonates most sympathetically with many of my own questions, and who reach deeply and disturbingly into that place within us where deep longing and spiritual perception come together, are women.  They include Elizabeth Jennings, Denise Levertov, Mary Oliver, Luci Shaw, Anne Stevenson – and recently discovered after a nudge from a fellow bibliophile, U A Fanthorpe.

    In thinking through the points of connection and collusion which open poetry and theology to each other, I suppose it's obvious that the nature of the relationship between these two ways of speaking the world, and our place in it, might be significantly affected by the gender of the writer. Or is that not so obvious? Are there insights, ways of knowing and articulation, ranges of human experience and capacities for feeling and thinking, that presuppose not only differences of personal history, but differences of gendered embodied experience?

    While I want to think this through much more thoroughly, it's simply the case that some of the insights I value most into the nature of God, what it means to follow faithfully after Christ, and how this is lived out in community within and beyond the church, have come from women poets and women theologians. And I can speculate with the next person as to what that says about me, my theology, my approach to the Bible, my understanding of ministry and the pastoral and personal relationships that underlie meaningful spiritual friendships. But I'd rather consider than speculate, and I'd rather illustrate than argue.

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    So here's a poem by Luci Shaw. It is called simply, "Virgin". Could a man have written this poem? Leave aside for a minute all the theological conundrums that surround the Incarnation, and what James Denney once called "Chalcedonian metaphysics". How else but in the experience of embodied womanhood could we have any sense of what the Annunciation meant and felt like, its implications from the inside of one particular woman's experience? I find the "as if" of this poem utterly heartbreaking in the positive sense of that phrase. The vulnerability and the courage, the gift and the given, the tenderness that has immeasurable consequence, the patience and the urgency that enables the birthing of human life – and these only some of the untold and inconceivable consequences of this requested incursion into the life plans of a young woman. And the radical surrender of "Let it be so…."

    As a poem read at Advent, it places this young woman at the centre of the mystery of Emmanuel.

    Virgin
    As if until that moment
    nothing real
    had happened since Creation

    As if outside the world were empty
    so that she and he were all
    there was – he mover, she moved upon

    As if her submission were the most
    dynamic of all works: as if
    no one had ever said Yes like that

    As if one day the sun had no place
    in all the universe to pour its gold
    but her small room


    Luci Shaw, Writing the River, (Pinon Press, 1994), page 27.

  • Steadfast love in a spasmodic era

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    Today I'm blogging at
    Hopeful Imagination on "steadfastness in a spasmodic era". I wonder if instead of urgent activism, there are times when the church's steadfast stance on Kingdom values requires us to live in a place of necessary tension – between trustful waiting and impatient longing for justice.

    Anyway – you may want to go look.

    And no – my lost book isn't yet found by Easyjet. I feel a parable coming on about the lost book – not sure if it ends with angels in heaven rejoicing or gnashing of teeth.

  • Confessions of a bibliophile – culpable carelessness


    This is a real confession. A genuine mea culpa. Of all the stupid, reprehensible, careless demonstrations of absent minded irresponsibility….

    Realised this morning that I left my book on the Easyjet plane from Bristol.

    Wouldn't mind if it was a pulp fiction time filler. But it was the Denise Levertov interviews, and I had annotated it and marked the good bits!

    Going to trust in miracles, providence and people's good will and phone them to see if it's been handed in by some cabin cleaning crew with literary sympathies and a high functioning work-ethic.

    If not will I buy it again???  Hmmmmm.

    But drat it….

  • Brussel Sprouts, sceptical shoppers and a poem

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    At the farmer's market in county square, Saturday morning.

    Elderly sceptical shopper picks up a 2 foot long brussel sprout stem laden with dozens of fat healthy sprouts.

    Asked "Whit ur ye supposed tae dae wi this"?

    Clyde Valley farmer, "Some folk are cuttin back on Christmas trees and puttin' lights on them, by the way."

    Can't convey on this blog the exact content of the sceptical shopper's even wittier muttered suggestion about alternative uses for a brussel sprout tree with electrical potential!

    But the score was Sceptical Shopper 1 – Clyde Valley Farmer 0. Not so much an own goal as an attempted clearance by an over-confident defender that was hammered back into his own net by a far too quick striker.

    Made a dreich december morning considerably brighter.

    On a more Advent note I came across this quizzical short poem in First Things, who allow this reproduction provided it's acknowledged and not commerically used.

    The Annunciation

    by Samuel Menashe

    She bows her head
    Submissive, yet
    Her downcast glance
    Asks the angel, “Why
    For this romance,
    Do I qualify?”

  • Winter festivals, Christmas carols and religious freedom.

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    Christmas carol ban on school choir

    A school choir has been banned from singing Christmas carols at a
    festive celebration because organisers wanted to "remove any religious
    content", it was claimed.

    About 60 pupils from Arthur Bugler Junior
    School, in Stanford-le-Hope, Essex, had been due to perform at the
    Corringham Winter Festival, in Corringham, Essex.

    But after the youngsters had finished
    rehearsals, organisers told them their role would not "dovetail" with
    the event, local Conservative councillor Danny Nicklen said.

    …………………………………………………..

    Not sure what to make of this. You can Google the details and get every viewpoint from the Sun to the Telegraph, Channel 4 to BBC.

    But leaving aside the obvious
    observation that Christmas has just a modicum of religious content, and
    ignoring the obviously awkward semantic evidence (Christ – mas, for goodness
    sake) – what is going on here?

     This isn’t a move to avoid religious discrimination, but a
    decision which discriminates against religion. In a pluralist society are all
    those who have religious affiliations, who live by religious traditions, or who
    wish to celebrate the contribution of religion to our cultural history and
    contemporary reality to be denied that opportunity on locally sponsored events?
    Is this then, the organisers' way of educating young people into attitudes of
    respect for the other, tolerance of the different, acknowledgement of the
    richness that comes from cultural diversity?

     As a Baptist my interest here is not so much on behalf of offended
    Christianity. My reluctance to laugh at this level of PC stupidity is directly
    related to my convictions about religious liberty and tolerance and the defence of
    religious freedoms. Quite apart from the nonsense of a celebration at this time
    of the year that wishes to exclude religious
    content, (winter festivals have long pagan roots and are by definition religious ritual), my resistance is to the underlying
    agenda and assumed powers of those who wish to re-invent religious festivals by redefining them to
    secular ends, as if local prejudice could be the arbiter of what is culturally, humanly and
    socially important.

     Presumably the good Councillors had a problem with the idea
    of a “Wonderful Counsellor”; or do organisers have no great solidarity with sentiments such as “peace
    on earth and mercy mild”; or couldn't they cope with the imaginative excesses of “light and life to all he brings, risen
    with healing in his wings”. But counsel, peace, mercy and healing are important
    human aspirations, essential to the health of the world community, and they are not the exclusive spiritual property of any
    faith tradition. But when such faith traditions wish to celebrate the great
    themes and festivals, I expect those who represent local people to embody those
    attitudes of citizenship, mutual respect and indeed tolerance that they wish to
    inculcate in others, including and especially our young people.

     Oh – and the time and energy and enjoyment of all those young people's
    practising and rehearsing deserved better than this display of pp – political
    petulance / politicial philistinism. The pc (politically correct) thing to do would be to affirm, encourage,
    understand and reward what is good in a community – including religious celebration. And if there was a breakdown of communication, and the carols didn't 'dovetail' with the winter festival theme, at what stage does the 'theme' become more important than affirming the young people from the community the Festival is supposed to be for?

     

  • The problem is, “If we’re not careful…..”

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    Massacre in Mumbai.
    Kidnap of Karen Matthews.
    Murder of Baby P.
    IED's in Iraq and Afghanistan (Improvised Explosive Device).
    Murder of Vicky Hamilton
    Violent riots in Greece
    Debates on assisted, now televised, suicide

    Cholera in Zimbabwe.

    Some of the week's news. It's hard not to develop defence mechanisms. There's only so much information the mind can process, only so much weight of moral evil mind and conscience can evaluate. There's only so much suffering and human anguish the heart can feel with and feel for, before we begin to care less, and if we're not careful, finally couldn't care less.

    Eventually then, if we're not careful, we become accustomed to familiar reports of bloody violence, abuse of children, politically driven brutalisation of peoples, the orchestrated moves of deregulated power. The moral danger of saturation news coverage, with detailed and graphic reporting, authoritative comment and skilled techniques of image, word and story, is that it eventually sets the emotional, mental and moral tone of our worldview. If we're not careful. And we will interpet the world politically, economically, ecologically, sociologically, demographically, militarily, – from multi-perspectives, except the theological. If we're not careful.

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     Advent keeps us careful.
    Advent is Magnificat, an alternative worldview, theology at loggerheads with power politics. Advent is Jesus, a name not to conjure with, but to speak as God's embodied promise of peace. Advent is Emmanuel, God with us, truth to keep in the heart and ponder. Advent is, to live in the light of the coming of God as Advent people. Advent is a worldview illuminated by hope.  

  • Poetry and Theology – interim reflections

    During these sabbatical months I've quietly pursued my interest in conversations that might be possible between theology and poetry. I am interested in how the different approaches of these two disciplines can be mutually enriching to matters of life, truth and meaning. As a theologian-pastor I've long felt it important to listen to voices that speak in a different tone, from other perspectives, about life, truth and meaning. I know such pastorally responsive listening includes philosophy, the sciences, ethical and social reflection, and cultural voices in music, film and other media. But it's the particular discipline of poetry that currently fascinates me; and by discipline I mean human creativity bent to artistic purpose for the common good.

    Now I recognise that such a view of poetry could become reductionist and utilitarian, a form of theological imperialism that wants to lay tribute on whatever can be used to theological advantage, without thought of poetry's right to self-determination. At the same time though, there are undoubtedly poets whose work flows from inner depths of experience that resonate profoundly and sympathetically with theological concerns. When theology makes comprehensive truth claims the poet more modestly demurs, "instead of saying that's true, I could say, there's truth in that…" This altogether more tentative approach to the world and our experience,is rooted in responsible and responsive openness to what is seen, listened to and cared about. This makes the poet an important reference point for theological convictions, which without pastoral rootedness and lived actuality ossify into truth claims lacking that purchase on human embodiedness that alone gives them credibility.

    Heaney
    What does the systematic theologian make of Seamus Heaney's claim that the poet "enters and explores and exceeds himself by entering and exploring and exceeding the language"? The Word became flesh and dwelt among us – that is, the truth of God, embodied in the Word made flesh, entered, explored and exceeded all the languages of human life. Theology therefore exists as a process of articulation happily and necessarily incapable of ultimate success – likewise poetry. Both poetry and theology are only possible on the understanding that articulation of our ultimate concerns is proximate, provisional – because the perfect poem is not so much the one that pins truth down in final form, but the that which enables truth to be transformative of how we see the world and how therefore we henceforth and now live in the world. Here's Heaney again talking of what he had hoped for one of his poetry collections:

    I wanted readers to open the book and walk into a world they knew behind and beyond the book, but with a feeling of being clearer about their place in it than they would be in real life, a feeling of being stayed against confusion… I wanted the journey to be as matter of fact as a train journey, but to produce the sensation a train journey always produces, a sense that the whole thing is a dream taking place behind glass, so that arriving at the station is indeed like arriving at the end of Keats's 'Ode' and being tolled back to your sole self.

    The poet's role, and the gift of her poetry, is to enable the reader to journey towards a clearer view of their place in the world, because they see the world differently. That might equally serve as a vitalising vision of a genuine pastoral theology, in which words about God are carefully shaped and spoken, where journeys are undertaken together, and when in the miracle of life and truth, human transformation is earthed in that grace ad infinitum which was embodied in the Word made flesh, and which is given as the light of every person.

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    "…the light shines in the darkness, and the darkness comprehendeth it not"

    Our language neither comprehends by intellectual control, nor encompasses by systematic constructions, nor extinguishes by exhaustive explanation. From the poet the Christian theologian could learn intellectual and spiritual attitudes more in keeping with the source and style of Christian theology in the Incarnation. Kneeling before mystery, waiting in contemplative trustfulness, giving voice to questions of justice, meaning and faithful living, pushing outwards the boundaries of faith and understanding – and always in language not fully up to the task, but within which all stories must be told.