One of the less obvious ways of sensing what is going on around us is to ask what kinds of stories people are telling, and what kinds of novels people are writing. Cultural shifts can be gradual and unnoticed, like tectonic plates moving without collision; or they can be sudden and disruptive if the plates collide or suddenly shift. Rose Tremain's novel, The Road Home, won the the recent awards for the Orange Prize. It's a story about Lev, an Eastern European migrant worker who comes to Britain, his struggle to survive as a stranger and foreigner in a world now harshly defined by economic inequities, and the consequent draining of hope and energy from those who didn't start off with undeserved advantages.
One of the judges in the Orange panel made a comment that might indicate one of those tectonic cultural changes – and whether it is gradual and unnoticed, or latently destabilising remains uncertain, and may depend upon our capacity as a country to welcome the stranger. Referring to the 120 submissions for the prize he observed that the key themes were, "immigration and identity and, alongside that, loss and bereavement.
And these themes are connected. In an age of globalisation and
migration these are the questions that we grapple with." What Tremain has done is provide a compassionate and humane window into the experience of those who come from one country to another to work for a living, and to work for a better life for them and their families. It isn't so much homelessness as economically impelled exile; and that exile involves cultural displacement, emotional loneliness, relational deprivation from those friendships and family ties that sustain and replenish identity. Involuntary economic exile can drain away hopefulness, and leave no sense of life's purpose beyond the desperate search for survival and the small freedoms that some money might bring to those entrapped in a relentlessly uncompromising global market.
Tremain's book is an essential corrective, a gently prophetic invitation to readers to respond with human sympathy and understanding to those who have to leave home in order to earn what is needed to live – both for themeselves and for those they themselves love, and leave at home. Tabloid harangues about cheap labour, job stealing, Britishness and a whole lot of other strident resentful excuses for exclusion are at best annoyingly selfish, at worst uninformed rants about the virtues of hating. A novelist who writes imaginatively and tellingly into the experience of those who come as strangers to our country, is one whose role as instructor in social ethics and humane citizenship, gives us a cultural gift that deserves its own kind of prize. Voices like hers, and demonstrations of bridge-building through narrative shaped by imaginative empathy, give hope for those of us listening for signs of our own culture's capacity for hospitality, welcome, friendship, and some signs that we are coming to recognise it is in our own interests as human beings to 'look humanely forth in human life'.